Across The Pond And Beyond The Pail

by The Skull Island Inquirer

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1.
Overture 01:30
2.
ACT 1 She Don’t Know Nothin (Girl Who Reads) I was just a little thing When older sister up and married Been too broken up and harried To know the kind of bloke she wed Yeah she’d loved another man But he couldn't keep it in his pants So she said you lost your chance And wed this other bloke instead When she left us two alone He’d say the words I didn’t know And he’d know I didn’t know ‘em All them monosyllables Lo he needs to go Who the devil bids, uh oh! She don’t know nothing [horns] He’s a drooling fooling troll Says them monosyllables He’s a squirmy wormy leach Trying to keep out of his reach She don’t hear nothing She don’t know nothing
3.
Reading While Walking (GirlWhoReads + Milkman) Pave my path, yeah I’m oozing down the tarmac If I saw where I’m going, then I would know I was trapped But I don’t care for that jack, no check your facts, No I don’t care for that smack, so I gotta hack Reading, reading while walking Reading while eating, Reading while seething, Keep that page before me. Walking down the road with my head inside Ivanhoe The milkman rolled up and he rolled on down his window (and so it goes) He said I know ‘bout your dead dad, your dead bro Yeah I know how the dead go. I’ll give you a lift Come on, get in. I said, I’m reading, reading while walking Can’t you see that I’m reading I ain’t reading while riding Don’t build no cage around me Running on my own round the dried up old reservoir The milkman ran up right beside me and started to jar He said I know ‘bout your bus stop, your tick tock Now you got to knock off. Stop all this reading and walking. Stop all this running. Now if he’d hit then no shit, I’d known it But I couldn’t put my finger upon it Now if he’d hit then oh shit, I’d known it But I couldn’t see for sure how he’d blown it Now if he’d hit, I’m on it, for no shit But I couldn’t put my finger right on it. He said you’re riding with me And I’m like, looky here: I’m reading, reading while walking Reading while you’re leaving Reading while I’m being Royal cont-er-rare-ee
4.
Curses From The Winders (Older Sister + GirlWhoReads) Little sister, I came to warn ye The Milkman and you have been seen Don’t you take it on up with the Milkman Ye’r too young and he’s too married Older sister, what’s this: I’ve been seen? Tell me, whozits been seeing? For I know it’s your husband that bids ye Shit hiccuping bastard he And she cursed un-lady-like-a-sailor She lashed and she drove me to flee She hurled hexes down from the winders Her good neighbors would be listening Lil’ sister, please heed my warning The Milkman lives dangerously Don’t ye take it on up with the Milkman Ye’r much younger and weaker than he.
5.
A Spade’s A Spade (GirlWhoReads + MaybeBoyfriend) My classmates say that a spade’s a spade There ain’t no point, there ain’t nothin you can change My classmates say that a spade’s a spade Ain’t no point, won’t nuthin change Maybeboyfriend: he is not like them Doesn’t give it up until he takes it for a spin Parts of wrecks in his friend Chef’s kitchen Gonna try to put ‘em back together again Just Maybe! My drinking mates say a spade’s a spade Ain’t no point, ain’t nothing you can change My drinking mates say a spade’s a spade Ain’t no maybe other ways Maybegirlfriend: she is not like them Doesn’t give a inch, doesn’t let nobody in All them fabricating leches, all them wheedling women Can’t push in her head. Give’s em a look almost dead. Just Maybe! This side of the road we say spade, spade There ain’t no point. It ain’t nuthin you can change This side of the road we say a spade’s a spade There ain’t no point, won’t nuthin change
6.
Thong Now On (and Forever) (MaybeBoyFriend’s Ma & Da) [The scene: GirlWhoReads is at MaybeBoyFriend’s place. His parents come on the tele. They are on the international ballroom dancing circuit. GirlWhoReads: “That’s your ma!? That’s your da!?” The song is a letter his parents wrote to MaybeBoyFriend and his brothers when they left them on their own.] Dear sons… we shoulda never had kids But we did… We tried… boys believe us that we tried But it’s time, to pack it in Off to dance, yeah boys, your parents, they ain’t coming back Take the house and all our old shit, it won’t fit in our packs O’er the road! O're the pond! From now on the only Boundary line we’re gonna mind is yer mom’s thong Oh whoa oh! Twenty-four hours, only took about twenty-four hours To forget about twenty-four years Off to dance, yeah boys, your parents, they ain’t coming back All that keeping in and worryin, we ain’t got the knack O're the road! O're the pond! From now on the only Boundary line we’re gonna mind is yer mom’s thong Oh whoa oh!
7.
Devils Know Their Own (GirlWhoReads + Ma) Since I was sixteen My Ma’s been asking me Why ain’t you married? Hmmmm. It won’t be long, till yer looks are gone What’ll you do, when no men’ll have you? If she’s a whiff I’m dating Ol’ Ma will set right in. Was he of the right religion? Was he already wed? When I say nothing, it just proves suspicion What I don’t give, dear ol’ Ma’ll fill in So she makes observance Oh Aye! She visits holy men Why won’t I repent? Hmmm. Heaven reach down, and put down the serpent Straighten me out, bind me to the right man Then the news of yer tryst With the Milkman came in on smacking lips Dear ol’ Ma she already knew it A dangerous devil, it was just like she said Older and married, no doubt soon to be dead I tried to deny! Pious Ma told me I lied! I tried to tell what happened. Hmmm, But she’d filled it in, from start to end Dangerous devils know their own women
8.
ACT 2 Shoestring Nose Ring (Milkman) Love, love is all around. Love is just the thing. Love will get it done. Done on a shoestring. Oh! Que sera! What will love bring? Oh! By your tiara and your nose ring: The future’s looking up! Don’t you think? Love, love is all around. Love is just the thing. Love will get it done, on a shoestring.
9.
Purple Lightning (GirlWhoReads) [Some shoehorning, so not quite what's sung.] Here somethings are so fair They make me pull out my hair Things I’ve missed but have always been there Things so light that I’m floating in the air Pur-pull light-ning Strikes and the new tears are flowing Cracks and I find myself knowing New cares I lacked the words for it Too dumb to laugh at it Hemmed in by all the other nitwits All repeating the same horseshit Pur-pull light-ning Strikes on the night of my old life Lights for a moment what I might If I dare Pur-pull light-nen’s Stike-en!
10.
The Usual Place (GirlWhoReads + Milkman) Lost in my thoughts Walking home through the Ten-minute Tract Tiptoed tripped over bones and the head of a cat And I got half a block, stopped, and came on back Yeah I got half a block, came back and I put it in my pack Take it somewhere green and growing You might call it the cemetery Round these parts that ain’t the case It’s called the usual place Checked my step What the heck, and the Milkman was there With a cramping up my legs and a shiver in my derriere He said I know ‘bout yer young man, the motor lad And I know ‘bout the car part that’s got the flag And I know ‘bout the bad luck your bro had Car bombs throw them bones in the ash can And if he hits then no shit I’ll know it He’ll just snap his fingers and blow it And if he hits then oh shit, I’ll own it MaybeBoyfriend’s end I’ll have sown it I’ll have Sent him somewhere green and growing You might call it the cemetery Round these parts that ain’t the case It’s called the usual place
11.
Vertiginous Maleness (Ma) Don’t you go fashioning lovers From all that raw masculinity Don’t get sucked in by them scrumptious bad men There ain’t no good way it’s gonna end They might be sociopaths Frightening psychopaths Single-mindedness fits for the task they have Won’t be no nine-to-five That ain’t the renouncing life That ain’t no putting it all on the line But if you go fashioning lovers From all that savory badassery You better do it right, girl get that ring Don’t go aspersing your upbringing Walking up on high wires Dealing in dumpster fires Committing to frequent visits to the prison Visits to cold tombstones Living a lonely widow Without a man to fill in a man-sized hole But if you go fashioning lovers From intoxicating masculinity If you can’t resist the resistance’s bad men Baby make sure you get that ring
12.
Beyond The Pail (GirlWhoReads) [The scene: More of a montage of misfortunes, danger zones, and strategic errors, culminating in GirlWhoReads’ relegation to the lowest social class: “beyond the pail.”] Aborting homosexual insurrectionists Stalk-talk rapists trying to make it legit Balaclava groupies re-apply lipstick With their tips in the bathroom and their counterfeit tits Ow! Beyond the pail Here I go I gotta car-bomb limo service offering lifts And a part-time lover fixing up the wrecks Got death-threat suitors trying to blow me a kiss And a take-it-back mother gonna break my neck Beyond the pail Here I go Gotta knapsack chockers with the heads of dead pets Got a blank slate face and a lot I forget Got eyes in the bushes, hear their shutters go click Yeah I read my books backwards so by then I know it Beyond the pail Here I go There’s the One Who Loves None, and the Cold War Kid Malapert hussies in a lesbian den The Shiny One’s sister with the tablet poison And that’s me in the back, Ma, lettin’ the boys in Beyond the pail! Here I go
13.
Anticlimax 02:08
Anticlimax (Ma + GirlWhoReads) [The scene: GirWhoReads has been poisoned by Tablets Girl, the homicidal little sister of The Shiny One, who used to be sweethearts with one of GirlWhoReads’ brothers. (Who is in resistance-related exile, but not yet dead.)] Dear confess: what did you get into? Did some jealous wives poison you? All knocked up? Infundicated? Kissing bad boys is overrated No Wives! Not pregnant! Ain’t no suicide! Ma, I hate it! I’m paralyzed! I just can’t relax. Here it comes again! The anticlimax! Dear confess: off-limits lovers Name the cheated wives and poisoners Confess you’re vexed! Inseminated! Mum will help you expurgate it Ma! No wives! Not pregnant! Ain’t no suicide! But I can’t take it! I’m paralyzed! It keeps coming back! Here it comes again! The anticlimax!
14.
Marrying Wrong Ain’t No Mistake (Most of cast) No we weren’t good at sharing, weren’t a proper pairing But I was weary of hiding and lies Took the bus to MaybeBoyfriend’s, the front door was off the hinges I heard the murmurings of Chef from inside Found the both of them bleeding, MaybeBeaux had trouble seeing And Chef was dabbing a wet rag at at his eyes There was a little too much feeling, and he grabbed him by both hands And then he kissed him and rinsed the blood from his knife Hmm mmm mmm Why give your heart to the one that you love When they’ll be leaving you soon for the grave? Being one your own might tear you apart So the wrong one’s the one that you take Well, you fear your independence, your potential, and your senses So you hook up with a dud with no clue Who will steer you away from your own path and failures Leave you scooped out and senseless and blue Hmm mmm mmm So, you walk down the aisle, and fall on your sword Go down in flames, and don’t say a word It ain’t mistakes we grab odd ends And leave them intertwined We marry wrong, that’s how it’s been Since the bleary dawn of time And what if you ran to the one who adored you And that you loved and you cherished in kind? And neither died too soon, and or was wanted by another Could you stand all that happiness and shine? Hmm mmm mmm So you make love to guilt, and promises to fear And settle in to the withering years It ain’t mistakes we grab odd ends And leave them intertwined We marry wrong, that’s how it’s been Since the bleary dawn of time
15.
In The Milkman’s Van (Milkman) Opened up the door and she climbed on in Moved the camera to the glove compartment No more running honey now that’s done From now on, we’re the only ones ‘Cause a milkman drives a van And a woman needs a man Like a story needs an end Like the trash needs the can I’ll come back around at seven o’clock Won’t take you round to the usual spot All you gotta do for my largess Is never wear pants, wear an elegant dress All you gotta do is be on time outside Never keep me waiting ‘till uh seven o five All you gotta do is wear an elegant dress No pants, on time, none of that mess ‘Cause a milkman needs a maid And a woman needs a man Any ol' spade’s a spade And the trash needs the can
16.
Dirge 00:56
17.
The Devil Takes The Rest (GirlWhoReads) Oh the Milkman was shot, by the agents of the state Before seven o’clock, and the worst of my fate Older sister came in grinning, with the news to relate I said quit yer’orgasmin, and she slapped me in the face One got what was coming to them And then, the devil took the rest So I went to the bar, and I went to the toilet Some McSomebody pushed on in and tried to spoil it Put his gun up in my face, said it’s all yer fault Then the women from the stalls, drew his outline in chalk One got what was coming to them And then, the devil took the rest Now Pious ol’ Ma’s traded in her rosary beads For a pair of high heels and some of my panties Now she’s sucking it in, and she’s staying out late Every story needs an end, but this end’s not for me
18.

about

A musician adaptation of Anna Burns’ novel Milkman, which is a coming-of-age story set in Northern Ireland during The Troubles. It’s about a lot of things: personal space, self delusions, nosy neighbors, sexual assault, sunsets, rumors, and mostly, the need to belong to something, even when there’s nothing worth belonging to.

credits

released March 30, 2023

--Dramatis Personae--
GirlWhoReads: Eliza Hardy Jones
Ma: Dito van Reigersberg
Milkman: Nate B Hardy
MaybeBoyfriend: Todd Starlin
OlderSister: Kim Whitehill
MaybeBoyfriend’s Ma: Lotis “Tipsy” Rills
MaybeBoyfriends’s Da: David Sweeny

All songs were written and produced by Nate B Hardy, with some help from his sis. Some attribution: A Spade’s A Spade was based on a tune from a Tom Waits’ song, Cold Water, which jumps up and down pointing at Leadbelly. Marrying Wrong was based on the tune of another Tom Waits’ song, New Year’s Eve, which quotes Auld Lang Syne. There’s a line from Shakespeare in She Don’t Know Nuthin (it should be easy to spot), and the chorus and title of The Devil Takes The Rest is borrowed from Voltaire’s Candide. Of course, the story and much of the lyricism is pulled directly from Anna Burns. (The clumsy turns of phrase are all mine.)

Eliza Hardy Jones plays piano on a few numbers: Overture, Thong Now On, Devils Know Their Own, and The Usual Place.
Nate B Hardy plays everything else: guitars, drums, gut-bucket bass, fiddle, alto saxophone, tenor trombone, autoharp, saw, harmonica, and some piano.

The album cover art is a painting by Bay Kelly.

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The Skull Island Inquirer

The Skull Island Inquirer is Nate B Hardy, a scientist who lives with his wife and three kids in Alabama.

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